Sorry to tell you but I found it all rather disappointing...
First of all, the translation onto the big screen showed the flaws of the
book which, hoever grabby it was, let's face it, it wasn't the big
masterpiece most people believe it to be...
cnIt's an incredibly static movie: there' s so much exposition that it
hurts!!! On a book you might get away with long scene of dialogue that go on
for chapters and chapeters (after all that was the strenght of Brown's book:
all those conspiracy theories) , but on a film, it all looks and feels
rather dull!
The few "action" scenes are so badly handled that it's almost incredible
they got away with making them and have them financed by producers (The
producer is the same guy who produces "24" a tv show that keeps you on the
edge of your seat from week after week, with a twentieth of the budget DVC
had)... I mean, let's take the car chase for example... It was all done in
close-ups and cut so fast to try to decieve the audience that it was bigger
and better that it actually was.
Tom Hanks looks almost embarassed to be in the film bringing NO spessor to
his character at all... I could hardly care less about him... and (sadly)
our lovely "Amelie" is ...erm... well lovely, but she should definetely
stick to French films, where she is way better!
The Character of Silas is very well portrait and Ian McKellen does a pretty
good job too with a part that is so full of dialogue for the sake of
exposition that it's unbealiveable!
The direction itself by Ron Howard is pretty standard I have to say. He
brings absolutly nothing new to the picture...
The film is an exact transposition from the written page to the celluloid...
but since we are talking about a book that's hardly "Shakespear", the end
result feel all rather conventional.
Ron Howard shoots everything in a pretty standard way. I have been to half
of those places where the film takes place, and all of them l(Louvre aside)
looked much better in reality, something quite rare in an age of movies
looking astonishingly perfect.
Some of the strenght of the book was its construction: the way it left you
hanging form one chapter to the other... Unfortunately the film follows he
same tricks, and it failed! What works on the written page doesn't
necessarily works on film.
I'll give you an example: in the book Tom Hank's character arrives at the
Louvre and is amazed by the sight of "something..." End of a chapter...
Next chapter is about something else... and it'll pick up in the Louvre in a
coupple of chapters... That works in a book obviosuly. You just want to turn
the next page and see what's going on. you don't want to go to bed, you just
want to carry on reading...
The film does the same thing, it leaves the audience hanging for a moment...
the same way TV series do... like a cliffhanger, but unfortunately it spoils
the mood of that moment and ruins it all...
It's againsts everything that movies (especially blockbusters.. whichi this
clearly is!) are supposed to be.
Movies are about creating the right mood, making people scared, making them
laugh... creating tension... and so on. They are a different medium from
books, and they should work in different way.
Theer's no need to break the low of certain scenes, just because the book
does so. In a cinema, you're sitting down anyway, and you're inside a dark
room.. You just want to enjoy the moment, you don't want to be teased by a
scene and than pick it up later when you're attention has already gone
somewhere else and your nerves relaxed
In other words, it was all too litteral, and to sterile if you ask me.
And also... VERY LOOOOOOONG!!! The last hald hour really lacks fuel...
And that scene towards the ending... "I'm your grandmother" Oh My God!!! It
was so dodgy. Just like a bad soap opera where relatives show up from
nowhere... Another example of how something might seem right on the written
page.. but when it's materialized on film it looks very cheesy and rather
unbealiveable!
Maybe it was because I had read the book, but it all felt very slow to me.
But I suppose people who are new to the book might enjoy it more...
Let's face it, it's just a "one-single good idea" (the whole Madgadalene
thing) stretched for 2 and a half hour of clucky dialgue, 2-dimentional
characters, rather standard recreations, and cheap twists! |